Dissertation Outline
Abstract 424
Introduction 1517
Database Art 0
	The Database in New Media Theory 0
		Database as Form 415 33%
		A Semiotic Trap 844 67%
		Digital Convergence 553 44%
		Bodiless Information 642 51%
		Embodying Databasing 580 46%
		Filtering and Framing 434 34%
		Interlude: An Embodied Database 1905 152%
		Closing Remarks 354 28%
	Databasing and the History of Databases 0
		Databasing: the performance of the database 2384 95%
		A Database Tree 926 37%
		The Realm of Data Structures 542 21%
		A Brief History of Database Models 2410 96%
	Databasing Sound: Applications of databases in sound 483
		Music Information Retrieval 934 37%
		Sonification 2223 88%
		Computer Music 5398 215%
		Intersections 4009 160%
Database Aesthetics 810
	Listening Databases 0
		Interlude: I am sitting in a room... 222 11%
		The Resonance of a Return 1515 80%
		Resonant Network 1480 78%
		The Unworking Network 2109 112%
	Databases and Memory 0
		The Effraction of the Trace 1791 71%
		The Archontic Principle 1897 75%
		The Spectral Database 1629 65%
	Performativity of Databases 0
		Gendered Database 1386 73%
		Towards the Limits 435 23%
		Contingencies of Style 2076 110%
		A Specter of Authority 1274 67%
	Rethinking Composition 0
		Interlude: Hyperbolic Reactions 1247 116%
		Working Composition 1509 140%
		The Composer as Navigator 1467 136%
		The Database as Performer 2721 254%
		The severed object of music 1773 165%
		Anarchy and the unwork 1704 159%
		[WIP] work in progress 347 32%
Afterword 845